Van Dyck, Rembrandt, and the portrait print / Victoria Sancho Lobis ; with an essay by Maureen Warren.
- 2 of 2 copies available at Evergreen Indiana.
0 current holds with 2 total copies.
|Location||Call Number / Copy Notes||Barcode||Shelving Location||Status||Due Date|
|Hussey-Mayfield Memorial Branch||759.9493 VAN DYCK LOBIS (Text)||33946003088908||Nonfiction . 2nd Floor||Available||-|
|Limberlost Public Library||759.94 L79 (Text)||37516002020491||Adult Non-Fiction||Available||-|
- ISBN: 9780300218824
- ISBN: 0300218826
- Physical Description: 108 pages : illustrations (some color) ; 26 cm
- Edition: First edition.
- Publisher: Chicago, Illinois : The Art Institute of Chicago, 
|General Note:|| "Produced in conjunction with an exhibition of the same title organized by the Art Institute of Chicago, March 5-August 7, 2016"--Title page verso.
|Bibliography, etc. Note:|| Includes bibliographical references (pages 105-107) and index of print collectors
|Summary, etc.:|| "In the last decade of his life, Anthony van Dyck (1599-1641) undertook a printmaking project that changed the conventions of portraiture. In a series later named The Iconography, he portrayed artists alongside kings, courtiers, and diplomats--a radical departure from preexisting conventions. He also depicted his subjects in novel ways, focusing on their facial features often to the exclusion of symbolic costumes or props. In addition to illustrating approximately 60 works by Van Dyck and other artists from his era--particularly Rembrandt--this catalogue traces the artist's influence over hundreds of years. Showcasing both 17th-century portraits in a variety of media and portrait prints by a wide range of artists spanning the 16th through the 20th century--including Albrecht Durer, Hendrick Goltzius, Francisco de Goya, Edgar Degas, and Jim Dine--the book demonstrates the indelible mark that Van Dyck left on the genre"-- Provided by publisher.
Search for related items by subject