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Hamilton : the revolution : being the complete libretto of the Broadway musical, with a true account of its creation, and concise remarks on hip-hop, the power of stories, and the new America / by Lin-Manuel Miranda and Jeremy McCarter.

Miranda, Lin-Manuel, 1980- (author,, librettist,, composer.). McCarter, Jeremy, 1976- (author.).

Available copies

  • 50 of 56 copies available at Evergreen Indiana.

Current holds

1 current hold with 56 total copies.

Location Call Number / Copy Notes Barcode Shelving Location Status Due Date
Adams PL Sys. - Decatur Branch 782.140 MIR HAM (Text) 34207002005198 Adult Non-Fiction Available -
Attica PL - Attica 782.1 HAM (Text) 74231000115103 Adult Nonfiction Available -
Benton Co PL - Fowler 782.14 MIR (Text) 34044000906097 Adult Nonfiction Available -
Bloomfield Eastern Greene Co PL - Bloomfield Main 782.14 MIR (Text) 36803000977624 NONFIC Available -
Brazil PL - Brazil 782.14 M (Text) 38160000572873 Second Floor, Non-Fiction Available -
Carnegie PL of Steuben Co - Angola 792.642 MIR (Text) 33118000176253 Adult: Nonfiction Available -
Centerville Center Twp PL - Centerville 782.14 MIR (Text) 76895000239063 1st Floor Nonfiction Available -
Clinton PL - Clinton 782.1402 MIR (Text) 36806002069332 NON-FICTION 2ND FLOOR Available -
Culver-Union Twp PL - Culver 782.140268 MIR (Text) 34304000825724 Adult - Nonfiction Available -
Danville-Center Twp PL - Danville Q 782.14 Mir (Text) 32604000204532 DCTPLD AD Non-Fiction Oversized Available -
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Record details

  • ISBN: 9781455539741
  • ISBN: 1455539740
  • Physical Description: 287 pages : illustrations (chiefly color) ; 27 cm
  • Edition: First edition.
  • Publisher: New York, New York : Grand Central Publishing : 2016.

Content descriptions

General Note: Includes libretto and photographs from the musical, as well as an account of the creation of the musical, from the composition of the first song of the show in 2009 to the opening night in 2015.
Formatted Contents Note: On the origins of revolution, both national & musical, with reference to opening numbers & White House raps -- In which Tommy Kail is introduced, and his adventures with Lin surveyed -- Giving the history of Ron Chernow, along with remarks on who may play a founding father -- In which the character of New York City is considered in its musical and scenic aspects, by reference to David Korins and a curious episode of historical vertigo -- Stakes is high; or, what happened at Lincoln Center and what came after, including lunch with Jeffrey Seller -- On the orchestrating techniques of Alex Lacamoire, with lively appearances by Van Halen, Elmo, and an actual Beatle -- On the character of George Washington and the character of Chris Jackson -- Concerning the lady and the tramp, in olden days and our own, with reference to "Helpless" and many songs that feature Ja Rule -- On the perfect union of actor and role, with allusion to Renée Elise Goldsberry -- The same subject continued, with allusion to Leslie Odom, Jr., plus remarks on the virtues and merits of union -- Wherin mobb deep is sampled, and the immortal Biggie Smalls is revived -- Of Oskar Eustis, his politics, his eventful career, his thoughts on verse drama, and his stewardship of The Public Theater, with a word about The Pharcyde -- On Phillipa Soo and the trouble with goodness -- On Paul Tazewell and the fashion of revolution -- By which it will appear that good history makes good drama, and in which Sebastian Miranda makes his debut -- On "Non-Stop," both the song and the way of life, as manifest by Andy Blankenbuehler and The Public Theater's props department --
In New York you can be a new man, or, the story of Oak and Daveed -- An account of rapping for the children, who will one day rap for themselves -- Did they or didn't they? Or, some discourse on affairs -- In which advantages are derived from listening to the Broadway old masters and Jasmine Cephas Jones -- On being in "The Room Where It Happens" with the cast of A Chorus Line, plus a brief account of Nevin Steinberg bringing boom-bap to Broadway with speakers the size of refrigerators -- A picture of the recording studio, featuring learned comments by Questlove and a thrown shoe -- On the origin and persistence of our national shame -- Of Jonathan Groff, his royal character, his notable career, his dressing room décor &C. -- On killing your darlings, with reference to "The Adams Administration," the seductions of Ben Franklin, and songs on the cutting-room floor -- In which the hero blows up his spot, with the assistance of Howell Binkley's lights and other forms of ingenious stagecraft -- Giving an account of a hurricane, with a notable appearance by President Obama, and the remarkable rise of Anthony Ramos -- A grieving chapter: on losses beyond words -- Containing a dialogue on ambition, and some topical comments, from David Brooks and Christopher Hayes -- Further thoughts on ambition, as it pertains to the playwright and the enigmatic Burr -- How the duel was fought, and rewritten, and fought again, as the clock ran out -- What is a legacy? Or, a sketch of opening night, and what came after, and what might come next.
Summary, etc.: Offers a behind-the-scenes view of Hamilton the musical, detailing the many dramatic episodes in Alexander Hamilton's life.
Target Audience Note: 1080 Lexile.
Subject: Hamilton, Alexander, 1757-1804 > Drama.
Miranda, Lin-Manuel, 1980- Hamilton.
Musicals > Librettos.
Musicals > United States > History and criticism.
PERFORMING ARTS > Theater ‡xBroadway & Musicals.
Genre: Musicals.

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