Between Parker's 1961 debut and his return in the late 1990s, the world of crime changed considerably. Now fake IDs and credit cards had to be purchased from specialists; increasingly sophisticated policing made escape and evasion tougher; and, worst of all, money had gone digital-the days of cash-stuffed payroll trucks were long gone.But cash isn't everything: Flashfire and Firebreak find Parker going after, respectively, a fortune in jewels and a collection of priceless paintings. In Flashfire, Parker's in West Palm Beach, competing with a crew that has an unhealthy love of explosions; when things go sour, Parker finds himself shot and trapped-and forced to rely on a civilian to survive. Firebreak takes Parker to a palatial Montana "hunting lodge" where a dot-com millionaire hides a gallery of stolen old masters-which will fetch Parker a pretty penny if his team can just get it past the mansion's tight security. The forests of...

Electronic reproduction. Chicago : University of Chicago Press, 2011. Requires Adobe Digital Editions (file size: 11226 KB) or Amazon Kindle (file size: N/A KB).