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  • 2 of 2 copies available at Evergreen Indiana.

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0 current holds with 2 total copies.

Location Call Number / Copy Notes Barcode Shelving Location Status Due Date
Bloomfield Eastern Greene Co PL - Bloomfield Main 740.973 HAR (Text) 36803000865704 NONFIC Available -
Indiana State Library - Indianapolis [q] ISLM N6510 .H37 2012 (Text) 00000105820195 Browsing Collection Available -

Record details

  • ISBN: 9780300187335 (hardback)
  • ISBN: 0300187335 (hardback)
  • ISBN: 9780937311981 (soft cover)
  • ISBN: 0937311987 (soft cover)
  • Physical Description: xvii, 316 pages : illustrations (chiefly color) ; 33 cm
  • Publisher: Washington, D.C. : Smithsonian American Art Museum ; 2012.

Content descriptions

General Note:
Published in conjunction with the exhibition of the same name, on view at the Smithsonian American Art Museum in Washington, D.C., from November 16, 2012 through April 28, 2013, and at the Metropolitan Museum of Art, New York City, from May 21-September 2, 2013.
Bibliography, etc. Note:
Includes bibliographical references (pages [242]-293) and index.
Formatted Contents Note:
Landscapes and the metaphorical war -- The art of wartime photography -- The human face of war -- Abolition and emancipation.
Summary, etc.:
"The American Civil War was arguably the first modern war. Its grim reality, captured through the new medium of photography, was laid bare. American artists could not approach the conflict with the conventions of European history painting, which glamorized the hero on the battlefield. Instead, many artists found ways to weave the war into works of art that considered the human narrative--the daily experiences of soldiers, slaves, and families left behind. Artists and writers wrestled with the ambiguity and anxiety of the Civil War and used landscape imagery to give voice to their misgivings as well as their hopes for themselves and the nation.This important book looks at the range of artwork created before, during, and following the war, in the years between 1859 and 1876. Author Eleanor Jones Harvey examines the implications of the war on landscape and genre painting, history painting, and photography, as represented in some of the greatest masterpieces of 19th-century American art. The book features extensive quotations from men and women alive during the war years, alongside text by literary figures including Emily Dickinson, Mark Twain, and Walt Whitman, among many others"--Provided by publisher.
Subject: Art, American > 19th century > Themes, motives > Exhibitions.
Art and society > United States > History > 19th century > Exhibitions.
United States > History > Civil War, 1861-1865 > Art and the war > Exhibitions.

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